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2000 words in Norwegian Forest

时间:2016-07-05 Source: jajshop.com Time: 2016-07-05

2000 words in Norwegian Forest

I have been hearing about "Norwegian Forest", but unfortunately I have not been able to borrow it. Recently I had to buy it hard.

It used to be the Lijiang version, which cost more than twenty yuan, which is expensive for me. After all, it is to buy a novel to see, it does not seem necessary to spend so much money. After entering 2001, I didn't want the copyright of the book to be bought by the translator, the price was cheap, the translator also modified it, and the decoration was very good. Finally, at a price of 15% off, I finally bought the translated version of the book "Move". Before I read, I have a feeling-it's worth it!

The book took five or six days to read (we are students who have to take classes, study by themselves, etc.). Overall, I think it's good. Not only did Murakami write well, but the translator Lin Shaohua also translated well, and the preface was even better! Very beautiful, fresh, and self. The translator said that the biggest feature of Murakami's novels is: playing lonely and playing helplessly! Because people and life are essentially lonely and helpless. So we need to interact with people to understand each other. However, efforts to seek understanding are futile and mutual understanding is impossible. So, instead of reluctantly destroying loneliness by dealing with teaching, it is better to step back and play loneliness and helplessness.

The novel is a memory of the protagonist Watanabe, remembering what happened when he was a college student in his youth. Nowadays, we are all in college, very similar to the protagonist. But I am envious of Watanabe's self, chic and casual. The shadow of his parents will not appear in his life. There are no people around him, but the lover of a dead friend, a buddy who lives in the same dormitory building, and a girl who attended elective together. This simple life and simple days make me yearn for it. Free time every week to work to maintain daily living expenses; take time to travel around and count as a tourist; Sunday with the lover of a dead friend, and so on.

I like travelling very much, but I have no money in my pocket. Looking for a job, there is no past. Moreover, there are many places in China, and there are many places to walk around, the range is too large, and there is no convenient transportation network such as the Japanese Shinkansen. The most fundamental thing is that without Watanabe's mood, traveling alone requires courage and determination, as well as a different state of mind. I don't think I have, so I can only sigh in vain.

An obvious impression after reading the book is the openness of the concept of human nature in Japan. So much so that some people think that Murakami is a personality metamorphosis. I don't have such a view. As a man, a man who is also adolescent, ask who doesn't have that kind of thought or behavior? Unless you are not a man or you have a problem.

I have heard of this distinctive feature of the Yamato Nationality that is different from Confucianism, and it can be regarded as the product of Westernization during the Meiji Restoration. But after reading this book, I have got a better understanding. Perhaps in domestic pure literature like this, there are few or unknown words about sex. However, when you think about cohabitation among young people nowadays, they are not inferior even in colleges and universities, and you won't be surprised. I am single and have lived a lot. I have not experienced love in a pure sense, let alone cohabitation. Because of this, I can imagine the social circle, so I know nothing about cohabitation. I just like to read newspapers. I also know that many colleges have installed automatic condom sales machines.

Yongze represents a class of heartless and heartless people. His set of theories about life and his so-called behavioral norms of becoming a gentleman have too much cold-hearted coldness, it goes without saying that they are personally experienced Just paying more attention will also make you catch some kind of illness quickly-the strong one can recover as before with a cup of warm water, and the weak one is stuck in it for a long time and cannot extricate itself. I don't want to face this book for two reasons: First, Naoko, the melancholy relationship that the two Watanabes built makes me absolutely think that the guidance given to us by this world is really bleak, and death is worth it. A great place for spiritual release; the second is Yongze, a character that is too hard and has a little gray tone, which really makes me read it as a stubborn thorn, although his words sometimes ridicule humanity in words -What you do is not what you want to do, but what you should do. -Three points into the wood! Murakami used the brushwork of the 1980s to remember the turbulence, boredom, depression, depression, depression, and hopelessness of the 1960s. The change of time and space gave rise to an illusion higher than the event itself.

In the twentieth century, time and space are just for us. People always think that everything will be okay in the twenty-first century, but after the bell of the century struck, people were disappointed to find that there was just more A few novelty things-that novelty will disappear with the passage of time, but hope is always good, life is always giving you opportunities. A joke cloud: A poor couple, with the help of a fairy a day, can meet their three wishes. The hungry farmer immediately said that it would be nice to have a sausage, and the words just came down, and the sausage appeared. His wife wasted a wish when she saw him, and she was so mad that she cursed him and let the sausage grow to his nose. Her wish was fulfilled. The end of the story is that the third wish is to take down that damn sausage. This joke is so cruel to me: you have a chance to realize your wish, but you may not be able to seize it. In my spare time, I asked myself: if I were given three opportunities, what is my wish? The first thought was that I want to be healthy and happy, and to stay away from frustration. If you think about it, you find that these desires are too much influenced by Yi Zhang's novels. They are too demanding: I am not unhealthy now, I can play four hours of tennis in one breath; there are no happy moments; without frustration, how proud and happy are I Not boring?

2000 words in Norwegian Forest

The road gradually went away, but the heart was still struggling where it started. This kind of pain is like a baby leaving the mother's abdomen. You have to cry so painfully to prove that you really exist.

Naoko was sobbing silently, although she wanted to cry, but the female vanity was preventing her, and she did not want to be the object of making fun of everyone. The only thing she could do was to suppress it.

I once said that I lived this way before, and I can only live like this in the future. Once relaxed, it is irreparable.

Yes, if once the goal is relaxed today, the hope of the future will no longer exist, and the purpose of living is for that illusory illusion, which may not be able to be achieved even after a lifetime.

I like Naoko, I like Watanabe, I like "Norwegian Forest". This kind of love makes me feel lost, because no one can let me know that as long as I follow him, I will not fall into a dry well, because no one can be like Watanabe, who loves Naoko, loves everything, including thoughts, including words.

So in that kind of place, in the tragic and wet dry well alone, struggling to die alone.

And my memory will eventually turn into a mess in the dark place of the memory heap.

I always like to describe death, the helplessness and relaxation at the end of life, the inexplicable mood, I can neither exclude it nor hide it deep inside.

So I can only suppress the fear and dwelling of death by myself, and resolve it into my words to confirm my purpose in this life.

Love is such a broad and profound word, but countless people are blaspheming it. I love it because of my heart worship, and how nihilistic a woman is when she loves because of worship. Maybe everyone is ordinary, ordinary is Like a piece of white paper on a book. Tu Ran has a forgotten loss, but it is just a blank that cannot be restored, like a lost soul, walking in the dark and heavy night.

Yongze said: There is no need for ideals in life. What is needed is not ideals, but norms of behavior. He also said: A gentleman is: what he does is not what he wants to do, but what he should do.

However, in our society, in such indifferent people, there is the warmth of the Internet, but there is no need for a gentleman. We only need a real man, a single person with flesh and blood, love and hate, who is separated from sociality And so on.

It is because of this that the shadow of death invades the realm of life step by step, and when it is noticed, nothing is visible.

Such regrets are useless.

So Naoko died, and Watanabe alive sent his beloved Naoko to the grave and to Mu Yue's side.

The road gradually went away, but the heart was still struggling where it started. This kind of pain is like a baby leaving the mother's abdomen. You have to cry so painfully to prove that you really exist.

Naoko was sobbing silently, although she wanted to cry, but the female vanity was preventing her, and she did not want to be the object of making fun of everyone. The only thing she could do was to suppress it.

I once said that I lived this way before, and I can only live like this in the future. Once relaxed, it is irreparable.

Yes, if once the goal is relaxed today, the hope of the future will no longer exist, and the purpose of living is for that illusory illusion, which may not be able to be achieved even after a lifetime.

I like Naoko, I like Watanabe, I like "Norwegian Forest". This kind of love makes me feel lost, because no one can let me know that as long as I follow him, I will not fall into a dry well, because no one can be like Watanabe, who loves Naoko, loves everything, including thoughts, including words.

So in that kind of place, in the tragic and wet dry well alone, struggling to die alone.

And my memory will eventually turn into a mess in the dark place of the memory heap.

I always like to describe death, the helplessness and relaxation at the end of life, the inexplicable mood, I can neither exclude it nor hide it deep inside.

So I can only suppress the fear and dwelling of death by myself, and resolve it into my words to confirm my purpose in this life.

Love is such a broad and profound word, but countless people are blaspheming it. I love it because of my heart worship, and how nihilistic a woman is when she loves because of worship. Maybe everyone is ordinary, ordinary is Like a piece of white paper on a book. Tu Ran has a forgotten loss, but it is just a blank that cannot be restored, like a lost soul, walking in the dark and heavy night.

Yongze said: There is no need for ideals in life. What is needed is not ideals, but norms of behavior. He also said: A gentleman is: what he does is not what he wants to do, but what he should do.

However, in our society, in such indifferent people, there is the warmth of the Internet, but there is no need for a gentleman. We only need a real man, a single person with flesh and blood, love and hate, who is separated from sociality. And so on.

It is because of this that the shadow of death invades the realm of life step by step, and when it is noticed, nothing is visible.

Such regrets are useless.

So Naoko died, and Watanabe alive sent his beloved Naoko to the grave and to Mu Yue's side.

2000 words in Norwegian Forest

In the summer afternoon, standing in an old-style alley through staggered telephone poles, looking at the blue sky, pedestrians on both sides seem to be shuttle, but they ca n’t hear the noise, even the sound of breathing. I can't feel it. I just enjoy this quietness, the quietness of my heart, and I really want to invest in the quietness and never come back. This is really enjoyable. At first reading Haruki Murakami's work was attracted, it seemed to be experienced in the work, and it seemed to be a spectator.

The Norwegian forest runs through the book. The author has mentioned it many times. Death is not the opposite of life, but as a part of life, the structure of the book is also as the author said. It does not end with death. Individuals die, and the courage of the author to face life is to die. The two main deaths in the work are very similar. One time was the death of Muyue. After Muyue's death, the relationship between Naoko and Watanabe began, and the other was Naoko's death. According to Reiko, you chose Luzi, and Naoko chose to die twice. New life was born from death. Another similarity is that the last person that Muyue met before his death was not his favorite son, but Watanabe. This seems to be the month when Muyue entrusted Naoto to Watanabe. One person is not Watanabe but Reiko, and it should be understood that Naoko entrusts Watanabe to Reiko temporarily.

The main characters described in the book are awake, but because of their different values and different levels of psychological maturity, their lives are vastly different.

The actor in Watanabe's book is a very ordinary character, so ordinary that it is difficult to make an impression. He also hates the fake and dirty inside the small society of school, but he didn't change all his thoughts, and even a bit of submissive meaning, because he knows that this cannot be changed, this is Watanabe's helplessness Already. But this guy's strongest defense is this resignation. It seems that no one can influence his life trajectory, although he doesn't know where he wants to go or where he is going. The mentality of not transitioning is not too mature. He is looking for a way that does not hurt Naoko and Haruko, but this way does not exist. If everyone is righteous, everyone will get their own. If you are happy, it will inevitably lead to chaos. After Nako's death, Watanabe tried to find himself by traveling but failed. Until Watanabe saw Reiko, Reiko said that you chose Luzi, and Naoko chose death. At this time, it should be said that Watanabe has cherished the existence in front of him, and should stop hurting the living.

One of the heroines of Naoko's book is very dedicated to perfection. Naoko mentioned a well at the beginning of the book, a well on the edge of the forest, a well that was deep and only lonely accompanied until death when it fell, but it was also a well that attracted Naoko because he fell into the well and interacted with it. Segregated in this world, she also understands that this is dangerous, but this is what she really wants, and this is the frustration of Naoko. This well is also a portrayal of Naoko's later life, the difference is that Watanabe once watched Naoko near the well. Naoko in the nursing home is not a complete person. She needs Watanabe at the well to make sure that she is alive, and Lingzi to complete the communication with the outside world. In the end, Reiko almost became the incarnation of Naoko.

The other heroine of Luzi's book should be a very strange tree in the forest. She seems to be able to break through the darkness and enjoy the sun. She is also a woman I admire very much. The reason why she is a tree is because she is very strong. Faced with the hardships of life, one by one, her relatives died slowly after experiencing great pain. It should be said that she persisted with the perseverance that ordinary people cannot imagine. (This is the helplessness of Luzi). She also wanted to escape, perhaps to Uruguay, which she called the donkey dung egg, perhaps with the help of sexual fantasies (in fact, her morality was much stricter than it seemed). She also wanted to have a reliance, just like the wayward words about buying cakes that she said to Du. Lvzi is quite mature and even very tactical. She confessed to Watanabe very clearly, because she respects her feelings and also respects Watanabe's choice. When Watanabe ignored her because of falling in love with Naoko, she chose to tell Watanabe her true feelings at that time and chose to leave temporarily so that everyone could calmly think.

Yongze is destined to become a figure of this social elite. He secretly knows the rules of becoming an elite in this society. The gentleman is doing what he should do, not doing what he wants (this is Yongze's helplessness), although he ca n’t see it. Get used to this society. He also looks forward to getting love with Chumei, but he knows that doing so will be excluded from the elite circle. In his values, in addition to being an elite, all are the paving stones to the castle of the elite. The pressure of society, the pressure of the family, and the views of others around him are destined to never be a true self as he wants, and he is living for these views, for others.

Chu Mei, the author's description of this character is not much, but it does leave a deep impression on me. It is a character I love very much. It should be said that Chu Mei ’s dream is very pure and childlike, which will make every reader impressed. Chu Mei ’s dream is to change Yongze with his own love, so that he can gain true self, and bring him back to that pure world, even if No matter how much the price is paid for this, Chu Mei can accept Yongze's indulgence to a certain extent. However, in Yongze, he did not want to give up the title given to him by the elite society (this is the helplessness of Chumei), because if he gave up, he might really have nothing but Chumei, and Yongze chose to abstain from color, and Chumei ’s dream in pure beauty was broken After choosing suicide.

Lingzi, although the author has given her background, but Lingzi often appears as a supporter of Naoko or a substitute, writing letters for Naoko, and even having a relationship with Watanabe after Naoko ’s death, we seem to You see Naoko. The reason why Lingzi came to the sanatorium is a little bit to say. In my opinion, Lingzi seems to value Lingzi's husband's calm handling of the matter more than the blow to the incident itself. This incident is a major event. The only solution is to leave immediately and change to a new environment. From the perspective of the value of Reiko ’s husband, first of all is the stability of the family. This matter should be ranked second. Reiko felt that she was not valued and collapsed. Already.

Perfection is not a ship traveling on a calm sea, but the dazzling sunlight on the deck after a storm. Perfection does not come from our persistent pursuit of it, but from a strong heart who is brave enough to face suffering.

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